Reviews are so much cooler online…

So, while I don’t review on here, I review for the website noflyingnotights.com. I take my reviews very seriously, reading the graphic novels more than once and spending a lot of time thinking thoughtfully and critically about the material. I don’t get paid per review- in fact, I don’t get paid at all. I do receive a free copy of the work, but for some ARCs that means a printed out copy or blurry digital file (sent from the publisher- I don’t do illegal downloads).

So, when I read about people that are paying tons of money to buy positive reviews, that really burns my biscuits. A recent New York Times article revealed the intimate details of selling reviews, especially for self-published work. While it may have had a temporary boost in sales (OK, so the sales are still better), I would hope that it would eventually lead to further discrediting of the works themselves. The thing is, it looks like this is primarily done by self-published works. Not that I’m not for self-publishing in some mediums. I will hit the “publish” button on this blog and feel smug about screaming my opinions on the interwebs.

However, I respect the publishing industry… well… I respect the increase in quality a work receives when it is vetted and edited by multiple sources. John Green, one of my favorite authors ever, has spoken multiple times about the impact editing has had on his work. Apparently, John’s books would be significantly worse, less epic, more boring, and less poetic and symbolic without the tireless work of the editors in his life (Just like that sentence with only me to edit myself).

Anyway, the point is that self-published works don’t have that editing filter which takes 75 pages of hide tanning text and turns it into hog hunting in Gutshot, TN. This means that they are incredibly likely to be worse than a novel from a regular publishing house. It’s just probability. That’s not to say that all works are understood in their time or that the wrong editor won’t crucify your beautiful work on the alter of trendiness. Most likely, though, it’s not brilliant yet and purchasing reviews may eventually bring people back around to saying that self-published works tend to suck. Definitely, purchased reviews tend to be more favorable of the work than from an unbiased source like myself.

However, in the meantime, it feels like my reviews mean less. No one is paying me for them. I work very hard to engage in a thoughtful discussion of the material, yet some guy getting paid thousands of dollars has just as much say. Granted, we’re not reviewing the same things, but still. Yet, I suppose that this is the classic librarian reason for needing information literacy and a large web presence from your own library. You have to know where the quality stuff is which you can do by looking at who is sponsoring the website, the professional credentials of the site, and a myriad of other details that any good librarian can tell you. But in a world where information literacy is low, it still makes me nervous.

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If you like X… try Y

Booktalking is an essential part of being a librarian, but the best thing is when someone else does the booktalking for you. This is partly because librarians are super busy people. However, the big reason is that it’s always good to get recommendations from other sources. When teens get so excited about a book that they want to booktalk it, you know that’s a book that’s powerful to teens. Of course, every teen is different, but it’s another book to add to the arsenal.

Another one of my favorite places to get recommendations is from authors themselves. There are certain authors who write books that you just can’t get enough of. Then imagine reading what those authors love to read- awesome!!

Well, here is a link to a booktalk by Sarah Dessen!! I love her and have loved her since I was a teen myself. I have some well worn covers of her books that have traveled with me from high school to college to grad school, even when shelf space was minimal. So, I’m super psyched to check out what she’s reading this summer. Have fun!

http://www.youtube.com/watch?v=ATUduj_uNtc&cmpid=SA_20110505_1

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Not for the faint of heart

So, I was debating what my next post should be. I’ve done a host of school projects that I think are interesting like a collection development policy for the “Barbara Gordon Memorial Library” in Gotham City with my friend Alison. We know BG is still out there kicking butt as Oracle, but we wanted to memorialize her days as librarian by day, Batgirl by night. However, we wrote the entire policy without once mentioning superheroes by their super names. That didn’t stop us from having an outreach team work at Arkham Asylum or getting generous funding support from Wayne Enterprises. It’s riddled with subtlety. However, in the end, it is just a collection development policy written for a school project. (If you would like to see it, I’m adding it to the portfolio section.)

So, what then? Do I dazzle you with my mad statistics skills from my collection evaluation? Do I give you my review of a selection aid? Do I stun you with my memo on psychological capital?

No way.

I will send you to a much happier place where YA books are king and the nostalgia is free flowing (so is the alcohol for those over 21). Yes, you guessed it. It’s time for some Forever Young Adult. This is a blog I’ve referred to before in my Harry Potter posts, but it needs more mentions here for its brilliance. Forever Young Adult does many things well. It reviews YA books, old and new. It waxes on about the mistakes and triumphs of the teen years. It makes drinking games for movie adaptations of beloved YA friends. Did I not mention that this is for adults who love YA?

That’s what I love about this site. It’s adults (at least age wise!) who know good literature when they see it, regardless of the original intended audience. Which is why I swooned when I saw their recent post about Just Listen by Sarah Dessen. Ms. Dessen was the writer for my group of friends when I was in high school. She didn’t have as many books out then (obviously…) but those books spoke to us. I have a ratty old copy of Keeping the Moon on my bookshelf that got me through some of my angsty-est times. Yet, the appeal hasn’t lessened as I’ve gotten older. She still writes amazing books that get me excited when I hear about them (or read the first chapter on her blog). Though, I am always shocked at how adult she is on her Twitter. I want her to be angsty and dramatic, but she mostly talks about her two year old, food, and North Carolina.

What does this have to do with Forever Young Adult? I spent their entire review shouting things like “Exactly!” and “These people know what I’m talking about!!” as I agreed with them. (Don’t worry, no one was around to see the insanity of me yelling at my computer screen.) I don’t always agree with their reviews so precisely, but this was one of those times when I was just happy to feel like I belonged. Huh. Maybe that isn’t so different from teenage Sarah.

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Best Fiction for Young Adults 2011

The Best Books for Young Adults (or BBYA, since everything in library world must have an acronym) is now gone.  In its place is BFYA- Best Fiction for Young Adults.  A technicality, but an important one, since all of my YA Library professors will now have to change their syllabi.

The 2011 BFYA list is out (well, technically it’s the only BFYA list out… just saying).  The list of 99 books comprises some of the best fiction that just came out.  The books are of high literary quality but remain approachable for teens, ages 12-18.  (Sidenote- why do we only care about teens until age 18?  I realize that is when they become legal adults, but 19 still has teen in it.  12 is a tween.  19 is a teen.  Sorry, it’s something that’s been bugging me.  Sidenote over.)

There are some big name YA authors in the BFYA list of 99- John Green, David Levithan, Laurie Halse Anderson, E. Lockhart, Holly Black, and Louis Sachar all jumped out to me.  (I’m not saying there weren’t other good or famous authors- those were literally the names that caught my eye as I skimmed through the list.)  I always like it when writers I like are acknowledged as writing another awesome thing.  I feel like it’s a small victory for me (Yay!  I’m reading the good stuff!) as well as a slightly bigger victory for them (Yay!  You’re writing the good stuff!)  However, I was a little sad to see that I had only read one of the books in the top ten.  It made me a little panicked because I spent much of the fall reading from the 2010 lists (Printz Award, BBYA, Quick Picks for Reluctant Readers, etc.).  All of a sudden, I read the new list and thought, “Oh, crap.  I’m already behind, again!  I need to get reading.”  Of course, that thought was immediately followed by looking wide eyed at my big stack of homework and reading for my MLIS classes and an even greater feeling of panic.  Luckily, I was able to resolve said panic with a couple reserves at the library and a look at my mostly free month of April where I can curl up and do nothing but read like the anti-social nerd we all aim to be.

Anyway, to catch you up on your own lists, here are the top ten YALSA BFYA books:

  • Bacigalupi, Paolo. “Ship Breaker.” Little, Brown, & Co., 2010. (HAH!  I got this one done, already, and it’s double dipping because it also won the Printz Award.  Check and double check!!  Also, this is a good book.  I thought you would all like to know because even though it’s in the top ten BFYA and won the Michael L. Printz Award, I’m pretty sure you wouldn’t read it until I say, “this is a good book.”  No review necessary.  My word is gold.)
  • Donnelley, Jennifer. “Revolution.” Random House Children’s Books/Delacorte, 2010.
  • Marchetta, Melina. “Finnikin of the Rock.” Candlewick, 2010.
  • Matson, Morgan. “Amy & Roger’s Epic Detour.” 2010. Simon & Schuster, 2010.
  • McBride, Lish.“Hold Me Closer, Necromancer.” Macmillan Children’s Book Group/Henry Holt, 2010.
  • Mulligan, Andy. “Trash.” David Fickling Books, 2010.
  • Perkins, Mitali. “Bamboo People.” Charlesbridge, 2010.
  • Reinhardt, Dana. “The Things a Brother Knows.”  Random House Children’s Books/Wendy Lamb,  2010.
  • Saenz, Benjamin. “Last Night I Sang to the Monster.” Cinco Puntos Press, 2009.
  • Sedgwick, Marcus. “Revolver.” Roaring Brook Press,  2010.

Happy Reading!

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YA in 2011

There have been a lot of awesome things that have already made a splash in 2011, like Ship Breaker winning the Michael Printz award and a lot of YA book bloggers making and committing to challenges.  I would love to make a challenge for myself to read so many YA books.  The problem is that to actually challenge myself, I would need to make that number ridiculously high.  I’m getting my MLIS in YA library science.  I’m already reading through the YALSA lists like crazy on top of my personal YA reading.  I would have to pledge to read 100+ books to honestly challenge myself, and I just can’t do that while I’m in school.  However, I admire people that are challenging themselves like Wicked Awesome Books or For the Love of YA.

However, beyond self-challenges, there are some challenges for YA authors out there.  My personal favorite is Likely Stories’ post called “My 2011 YA Wishlist.”  The first one- the universes made up entirely of teens- didn’t bother me so much this year.  The second one- first person, present tense- does bother me when it’s done poorly but no big deal.  But, points 3, 4, and 6 totally hit home for me.  I’m over a lot of the supernatural stuff.  There have been too many of these stories and WAAAAY too many of these are crappy.

Anyway, enjoy all of the great YA reads in 2011.  I’m psyched about Maureen Johnson’s Last Little Blue Envelope coming out in April.  Almost Perfect, Stonewall Children’s and Young Adult Literature Award winner is supposed to be a good read.  In the next three years, there are some fantastic YA books being made into movies (and some less fantastic ones).  So, there are a lot of great things to look forward to.  Enjoy!!

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